Film

IN THE provocative Lebanese film “The Insult,” a minor conflict over a gutter between two ordinary men in Beirut spirals

IN THE days and months following the Sept. 11 attacks, a small US Special Forces unit led an offensive against

THE tagline for the Liam Neeson Metro-North thriller “The Commuter” — “Lives are on the line” — feels like a

AARON Sorkin has a knack for timing, and not just in the obvious way. The Oscar-winning writer of “The Social